14 June 2012
6:00 – 7:00pm, followed by a drinks reception to 8:00pm
Daiwa Foundation Japan House
Organised by the Daiwa Anglo-Japanese Foundation
Despite the success of Takashi Murakami’s “Superflat” movement, most Japanese contemporary art remains little known or appreciated in the international art world. Before and After Superflat tells the true inside story of the Japanese art world since 1990, as Japan has stumbled through a series of economic, social and ecological crises since the collapse of its “Bubble” economy. Explaining the rise of Takashi Murakami and Yoshitomo Nara, and the distorting effects their success has had, the book presents other important artists from the 1990s and 2000s, as well as Japan’s thriving art world of curators, gallerists and art writers. Inside this world, there is an often dramatic story to be told about institutions such as Mori Art Museum and MOT (Museum of Contemporary Art Tokyo), and events such as the Yokohama Triennial, or the Echigo-Tsumari and Setouchi festivals. New kinds of street art and initiatives like 3331 Arts Chiyoda are also re-inventing art in the city, outside the white cube and commercial contexts. The book ends with an epilogue about contemporary art in Japan after the Tohoku earthquake.
Adrian Favell’s book, Before and After Superflat: A Short History of Japanese Contemporary Art, 1990 – 2011was published in April 2012 by Timezone 8.
Professor Adrian Favell
Professor Adrian Favell is Professor of Sociology at Sciences Po, Paris. He has also taught at UCLA, Aarhus University and the University of Sussex. In 2007 he was a Japan Foundation Abe Fellow in Tokyo, and has since then been closely involved as a writer and observer on the contemporary art scene. He writes a popular blog for the Japanese on-line magazine ART-iT and occasional contributions to magazines such as Art Forum and Art in America. He was born in England and lives in Paris.
Jonathan Watkins (discussant)
Jonathan Watkins has been Director of Ikon Gallery since 1999. Previously he worked for a number of years in London, as Curator of the Serpentine Gallery (1995-1997) and Director of Chisenhale Gallery (1990-1995). Jonathan Watkins was Artistic Director of the Biennale of Sydney in 1998. He was guest curator for Days Like These, (Tate Triennial, London, 2003) and Negotiations (Today Art Museum, Beijing, 2010). He was on the curatorial team for Europarte (La Biennale di Venezia, 1997),Quotidiana (Castello di Rivoli, Turin, 1999), Milano Europa 2000, (Palazzo di Triennale, Milan, 2000),Facts of Life: Contemporary Japanese Art (Hayward Gallery, London, 2001), Hyperdesign (Shanghai Biennale, 2006), Still Life (Sharjah Biennial, 2007) and Riwaq (Palestinian Biennial, 2007). Jonathan Watkins has written extensively on contemporary art. Recent essays by him have focused on the work of Giuseppe Penone, Martin Creed, Semyon Faibisovich, Yang Zhenzhong, Noguchi Rika, Caro Niederer and Cornelia Parker. He was the author of the Phaidon monograph on Japanese artist On Kawara.