Everything You Always Wanted to Know About Anime… : Talk with Hirokatsu Kihara and Michihiko Suwa

The end of the world did not materialise … so I’d like to invite the readers of this Blog to this interesting event.

Everything You Always Wanted to Know About Anime… : Talk with Hirokatsu Kihara and Michihiko Suwa

29 January 2013 from 6.30pm

The Japan Foundation, London

Japanese animation has enthralled audiences worldwide and through its stories, concepts and visual splendour, the enchantment of the likes of Studio Ghibli and abundance of television series continue to captivate the imaginations of many. But how did such ideas come about, what is it that makes anime so distinct and original, and how has animation developed over the decades to become such a worldwide success?

The Japan Foundation has invited two of the most renowned figures in the industry behind this phenomenon, Hirokatsu Kihara and Michihiko Suwa, to introduce the real world of creating Japanese animation. Through Kihara’s involvement with early Studio Ghibli productions and the current subculture scene and manga, and Suwa’s role as Chief Producer at the Animation department of Yomiuri TV for anime franchises including Detective Conan (aka Case Closed), City Hunter and Inuyasha, they have helped realise a number of world-famous anime television series and movies during their illustrious careers. Despite their differing experiences, productions and working styles, Kihara and Suwa both hold a huge passion, understanding and vision for the medium, expressed through their work and activities.

Having witnessed the Japanese animation industry’s rise to the worldwide phenomenon, Kihara and Suwa will be joined by Helen McCarthy, journalist, author and anime expert, to explore the different sources of anime – both manga adaptations and originally crafted stories – and discuss their position in the Japanese animation industry, suggesting what the future holds for the medium. With Kihara’s experience of the celluloid-era of animation, and Suwa’s experience of its transition to digital, this event will also provide a fascinating insight into the ‘behind the scenes’ of anime production, telling the real story and history around the animated images.

 This event is free to attend but booking is essential. To reserve a place, please email your name and the title of the event you would like to attend to event@jpf.org.uk
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East-West encounters

Yesterday while I was reading a book I had bought few weeks ago I found few interesting paragraphs..

‘In sex, the comedy of misunderstanding between East and West is what arouses Wester men so much. But most fantasies are about strangers, not the people we live with. As tales, they are cruel, detached, anonymous; they revolve around submission, degradation, and symbolic rape.’……

‘Intentionally or otherwise, however, the East-West encounter is nearly always redeemed by being slightly comical, but it’s not a comedy which has any vicious intent. The Western man is not being mocked, nor is the Eastern woman. It is a difficult waltz to describe, but it could be called a quick, knowing dance of perfectly intentional ignorance. It’s a way of making sex innocent again’.

I’ve been thinking about my encounters with Eastern women…

I’m confused.

Rolling Home with a Bull

Korean Film Nights

 

6.30 PM, December 20, 2012

Apollo Cinema Piccadilly

 

Formerly known as “How to Travel with a Cow”
A bachelor poet lives in a remote area of Kang-won province. He goes to sell a cow but the price is too low. He gets a call from his former lover, who married his friend seven years ago. His friend has died, and she asks him to come to the funeral. He goes to the funeral with the cow. The man, the girl, and the cow leave on a journey.

My Primal Memory by Nao Matsunaga

Last few days for this very interesting exhibition.

19 October- 13 December, Monday – Friday, 9:30am – 5:00pm

Daiwa Foundation Japan House Gallery

In the exhibition My Primal Memory, Nao Matsunaga responds to his ideas and experiences of dual cultural and national identity, reflecting on his formative years growing up in Japan, and the latter part of his childhood in England. Although this is a deeply personal investigation, his work references ancient universal themes concerning the human condition.

…as people, we haven’t really changed at all over thousands of years, the way we interact, think and feel is still the same, even though the tools we use have changed.

By creating work using primal materials and tools, he connects on an emotional level with cultures from eras past, suggesting that there are certain constants in human behaviour that have not, and will not, change. With a sense of longing for a solid identity, Matsunaga attempts to find his way through the two cultures that make up his personality; responding to subconscious, primal drives in order to find a unifying whole.

Nao Matsunaga was born in Osaka in 1980, graduating with an MA in Ceramics and Glass from the Royal College of Art (2005–7) and he has exhibited internationally ever since. He has been presented with various awards and scholarships, such as the Jerwood Makers Open 2012, Cove Park Residency, the Anglo-Sweden Society Bursary and the Leverhume Trust’s grant. His works are in the public collection of the Crafts Council.  Matsunaga is  represented by Marsden Woo Gallery, London.