By William S. Rodner
Published by BRILL
Edwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider’s response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London. Here, and in later publications, Markino offered a distinctively Japanese perspective on European life that won him recognition and fame in a Britain that was actively engaging with pro-Western Meiji Japan. Based on a wide range of unpublished manuscripts and Edwardian commentary, this lavishly illustrated book provides a close examination of over 150 examples of his art as well analysis of his writings in English that covered topics as wide-ranging as the English and Japanese theater, women’s suffrage, current events in the Far East and observations on traditional Asian art as well as Western Post-Impressionism. Edwardian London Through Japanese Eyes, the first scholarly study of this neglected artist, demonstrates how Markino became an agent of cross-cultural understanding whose beautiful and accessible work provided fresh insights into the Anglo-Japanese relationship during the early years of the twentieth century.
Professor William S. Rodner
Professor William S. Rodner received his MA and PhD in modern British and Irish history from Pennsylvania State University where he also studied English art and architecture. As Chancellor’s Commonwealth Professor at Tidewater Community College in Virginia, he teaches a range of courses on world history. He is also editor of Scotia: Interdisciplinary Journal of Scottish Studies,sponsored by Old Dominion University. He has published widely on early twentieth-century British political thought and history and on the art of the Industrial Revolution. His J.M.W. Turner: Romantic Painter of the Industrial Revolution (University of California Press) appeared in 1997. Professor Rodner’s recent investigations into the career of Yoshio Markino, first presented in the British Art Journal and now in Edwardian London Through Japanese Eyes, reflect a long commitment to exploring the global dimensions of British visual culture.
15 May 2012
6:00 – 7:00pm, followed by a drinks reception to 8:00pm
Daiwa Foundation Japan House
Organised by the Daiwa Anglo-Japanese Foundation